Top 10 Favorite Orrin Keepnews Prodctions

History-altering record producer and label head honcho Orrin Keepnews passed away on Sunday, 1 day short of his 92nd birthday. We as a society talk little enough about the great jazz musicians of the 20th century, and we certainly don’t talk much about the other contributing figures. But Keepnews, particularly as the visionary head of Riverside Records, left such a mark on modern jazz that I really can’t imagine the history of the music without him. Lately my Top 10 lists have been song/track based, but the continuity and conceptual brilliance behind the great records Keepnews oversaw lend themselves better to full albums.

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Top 10 Most Personally Mind-Blowing SNL Musical Appearances

Through my formative years, I watched a lot of Saturday Night Live, and the musical guests (not surprisingly) always fascinated me, in some cases blowing my mind. As a teenager especially I would videotape the show and if the performance was good (or, often, even decent) watch the musical bits over and over, studying the performances. I would also watch reruns on cable and was interested in the differences in musical style and allowable levels of eclecticism.

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Top 10 Favorite Joe Locke Tracks

I am a sucker for musicians who play overtly soulful music and then turn around and play the hippest modern jazz, especially when they find organic ways to integrate the two. Joe Locke is one of the hippest and most technically facile vibraphonists active today, but can always be counted on for achingly soulful music as a player, composer and arranger of others’ material. Here are some of the tracks that most embody that to me.

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Top 10 Favorite Jimmy Greene Tracks

November 25 marks the release of A Beautiful Life, a musically brilliant and emotionally potent new album by Jimmy Greene in tribute to his murdered daughter, Ana Grace. I could write a long essay about Jimmy the human being – we’ve been friends over half our lives by now – his humility, his strength, his faith and his caring responsibility. But that’s not what this is. Instead, I wanted to whet your appetites with some personal highlights from the catalog of Jimmy the musician. Though he is my friend and a major formative figure in my own development as a young musician, I have also been a fan of his music since I first heard his soulful, mature playing when he was 16. It has of course only gotten better. As a saxophonist and composer he has developed a distinct and important voice.

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Top 10 Favorite Jack Bruce Tracks

Jack Bruce finally succumbed to his liver woes yesterday at the age of 71. I’ll always be a fan of his most famous work with Cream, and could certainly have done a Top 10 list of just those tunes. But as a person interested in jazz, rock and the sometimes nebulous crosshairs between them, I find Jack Bruce to be a particularly important (dare I say unique?) figure, with credibility in both worlds and a long track record of exploring the intersections. This list was compiled with a particular slant towards showing his diversity in that regard.

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Top 10 (x2) Unjustly Obscure Jazz Albums

Of course, given the role that jazz plays in our society there are only a tiny handful of albums that DON’T fit this category (“unjustly obscure jazz album” is kind of like “ice cream flavor containing dairy products”). But there are some albums that I think are exceptional and, in some cases, important in their time, that have been essentially forgotten even among the jazz intelligentsia.

I have divided this list into two categories based on availability. As such, the first ten are albums that deserve wider recognition but that (as of this writing) at least you are likely to be able to find by legitimate means through one of the various online streaming/downloading outlets or as a new CD – the other ten will require some hunting.

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Top 10 Favorite Joe Lovano Tracks

Joe Lovano is one of the major musical voices of his generation, having gotten there honestly through a long dues-paying process both in terms of professional apprenticeships and development of his sound. That sound is now somewhat difficult to describe in words, in part because his voice has become so distinct. I can, say, though, that his versatility (in addition to his well-documented virtuosity on tenor and soprano saxophone, he plays various other woodwinds and is actually a great drummer as well) and his vision as a composer and bandleader have been profoundly influential, and yet he continues to be able to fit seamlessly into a wide variety of scenarios.

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